Not sure I’ve got an image that quite captures the textural tones of the Waratah lamps. The interplay of light and shadow through the gently sandblasted layers of fluted glass is … a little dreamy. Made with @hannahgason and @canberrag
๐“๐ž๐ง๐ž๐ญ๐ฌ ๐จ๐Ÿ ๐—ช๐š๐ซ๐š๐ฐ๐š๐ง๐š ๐ฆ๐ฒ๐ญ๐ก๐จ๐ฅ๐จ๐ ๐ฒโฃ โฃ At the core of any organised culture there are rules or values. Three tenets sit at the bedrock of Warawana mythology;โฃ โฃ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ฐ๐˜ณ๐˜ญ๐˜ฅ ๐˜ช๐˜ด ๐˜ฎ๐˜ข๐˜ฅ๐˜ฆ ๐˜ฐ๐˜ง ๐˜ณ๐˜ฆ๐˜ญ๐˜ข๐˜ต๐˜ช๐˜ท๐˜ฆโฃ ๐˜ข๐˜ญ๐˜ญ ๐˜ฎ๐˜ข๐˜ต๐˜ต?
These pieces weren’t a part of the picture when I first started my residency at @canberraglassworks but with the right support, space and skill they soon emerged. Originally I was going to cut them in half and make the two halves wall-mounted,
@lindylee.13 x @nationalgalleryaus + cosmos = Ouroboros
What a night. Still buzzing from all the energy and presence of so many wonderful humans. Thank you to those that could and did make it, being able to share the world of Warawana makes it real๐Ÿ’– To @digitaljalanjalan, holy moly. I can’t tell y
๐˜ต๐˜ช๐˜ฎ๐˜ฆ ๐˜ช๐˜ด ๐˜ฒ๐˜ถ๐˜ฆ๐˜ฆ๐˜ณ, ๐˜—๐˜ญ๐˜ข๐˜ค๐˜ฆ ๐˜ช๐˜ด ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ฏ๐˜ต In any instance you occupy poly-temporal time-scales. These include time at a ‘you’-scale ‘this moment’, time at a species-scale ‘cultural practice’, time
๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ฐ๐˜ณ๐˜ญ๐˜ฅ ๐˜ช๐˜ด ๐˜ฎ๐˜ข๐˜ฅ๐˜ฆ ๐˜ฐ๐˜ง ๐˜ณ๐˜ฆ๐˜ญ๐˜ข๐˜ต๐˜ช๐˜ท๐˜ฆ … it is always the relation that allows ‘beingness’. Consider how it is not the individual but the combined effort of entities; quarks, atoms, molecules, that allows for the ma
all matter are creating equal Glass, stone, brass, copper, leather, timber, steel If we can suspend the devaluing that happens in the sub and conscious process of othering of anything that is other-than-human we can get glimpses of a planet alive w
Myth as portals to the otherwise Over the last few years I’ve been thinking through and practicing a mythically orientated world view. Bringing layers of knowledge, experience and story together and embedding that in and through artefacts has
Set of drawers used for storing smallโฃ objects, mostly jewellery.โฃ โฃ Theโฃ Gradients are a central story due toโฃ their collective and daily presence. Theโฃ Gradients are giant entities that collect the colour at the end of everyday, appearing to us as
Very honoured to have Mythica Ignota reviewed by @pcraswell for @satpaper Exhibition event Saturday 26th 4pm @canberraglassworks Mythica Ignota showing until 15th of December #mythicthinking #collectabledesign Shimmer cabinet made with @sean.b